This final analysis is to contradict the Beatles’ claim that Lennon being dead proves the justice of everything they have done.   If Lennon was really killed they are the ones who killed him, not me. For the British conjob about me by Penis Gabriel protecting his partnership with Reagan as in the day the Axis killed JFK, hiding the details serves to construct a mask to hide inconsistencies promoted to misinform people.  It is easier to live with deception when the revealing contradictions are kept out of sight. For trivial example, prudery doesn’t really describe HAIR or Lennon’s performance in the 60’s regarding fast loving, however their estate promoted the AIDS attack and created a Dreyfuss story line about irresponsible behavior to cover it up.   I’m not choosing sides about your private personality in the realm of the senses, but this example went beyond empowering and advocating for those behind the AIDS attack into mayhem while calling it a lampoon on a Lennon mimic.

     The consistency of their presentation by making believe completely depends on hiding the facts of what happened.  If you stop at this point you can safely side with them and ask no further questions. That is called strategy and provides their therapeutic mode for denial (achievement simplicity).   If however you can stomach the truth, for example about Zell on Mt. Desert Island, being that a white Nazi with prior knowledge of the AIDS attack who set up a mousetrap war game is not an honorary The Black Man for being their ally in Christian Eugenic Pussyball over Midori Goto you know to find the information about serial killers at Warhol Museum Mafia, but if you don’t look, rule that out.   The conjob’s real purpose is to monstrously promote true hate and poison crime to punish and silence witness affidavit and investigative reporting.

      They are murderers and faith in them allows you to sit quietly while they violate my rights.  In essence this was a program written in advance for management of the extreme measures that demand faith in our betters a fact that their shortcuts are designed to deter inquiry into and about.   The paradox of their flippancy is that they can openly design this crime in advance and yet succeed in selling it, the idea that they just found it as art and made believe for therapy was expected to sell.  Dia, who called me about Lennon’s Houdini whodunit on Dec. 8, 1980, wrote to me in 1978-79 about her classmates and teacher (who she cartooned as having his face between his own legs) as not engaging anything intellectual, “because it would mean they would have to do something.”   It shows they knew people would cop out and call their hate mania by therapy. Just as Nixon said about Watergate he would, “smother it in candor,” the Fripps plotted to smother the AIDS attack in bitterness about Lennon. Nixon and Fripp are in fact the Smotherer Brothers.

        While the evidence shows that they knew this would sell, there is a very draconian line of murder attending enforcement of a non-questioning attitude about this situation.   They use a perfectionarianist technique to disavowal the indexicality of the situation that developed between Shuman Center and John Shulman, of Celeron and the carrot tape made by Penis Gabriel.  Shulman, of Caliban Books, and partner in crime with Thos. O’Connor of the Kelly School incident using a stunt driver, authored a book in the 80’s about Mayor behavior in plague years of Medieval Europe and was marketing the storyline about Leslie Katz for Warhol and Ono very early on.

     In their world view, meaning the world view of the to the face lie sold by Britain, the idea that those who shot Reagan also framed him and that I am their brainwashed stooge with a narrative that goes to the heart, allows UW to poison me in the mouth with Bio-Hazardous material likely evading treatment by internal migration into the heart, which they poisoned in the name of love, a construction that makes sense when you realize that they are the true authors, and makes less sense when you call a white Nazi an honorary The Black Man punishing a deaf white suck as therapy for Beatleheads.

       The Japanese have a saying about taking a souvenir to hell, meaning kill someone on your way out, and I am quite the souvenir in that formula being from Bush’s ship in the Navy.  Gail Burstyn authored birth bonds between me and Midori Goto and then kept a scorecard while they uploaded a new high command after killing JFK to whom Goto curtsied and agreed to provide payback.   Meanwhile the Mellons dragged me into a permanent dialogue over their zero-sum game keeping up the arguments of Tive (a suspicious nom de guerre in a posi/tive nega/tive war game and script containing the signifier, “Go/to”).   In this crime team they developed with Elmira, N.Y. corrections the payback was lionized as tribute to Warhol in a concept of Mark Mark and James James with the Mark Twain and James Bond (age) supplying the British genius for goosebumps among the Gudrins of Lennonmaker.   Twain was lauded in Elmira for managing to repay his debts.