The metanarrative structure that surrounded the death of Donnie Chin was accompanied by some evidence I found in my Business Math notebook while living in Pittsburgh where I had copied from the blackboard, I guess, the date he died captioned only: LAST DAY. I turned a scan over to NWAsianWeekly and came back. I don’t mind representing my views concerning Donnie Chin. At the time I also represented my psychic whereabouts in the event that a ruse was created to implicate me because while a fan of Donnie Chin I do have a smoldering anger towards some of the authorities and other persons of interest, requiring me to do many ministrations to the name of non-violence that is perfectly ridiculous anyways, seeing as that I am an unarmed, non-violent man, much inclined towards the judicial system framework of a regulatory democratic society. Someone may dislike this enough to present me as a casus belli for the ends of sabotage. It has happened before.
The group of perpetrators using targets around me also represent themselves as progressive thinkers. One of their shrewdest angles is to criticize themselves. For example, they will gladly open up on the idea that Obama was a token to mollify blacks while making clear they will never discuss the drastic action of the AIDS attack. It may be a mistake to look deeper than Chin’s utility to them as an Asian martyr.
Donnie’s death seems to me to have been an idea that originated at Bryn Mawr and was arranged by the Warhol Museum. Chin set himself up by his intellectual support for the idea of distinguishing between the hauckenkreuze of Nazi Germany and the Buddhist swastika, which isn’t safe under the prevailing situation. Warhol is selling the idea of morphing it back into a sacred symbol as a eulogy for Lennon’s will in the AIDS attack. Ono’s hand was almost certainly behind Chin’s murder.
The philosophical dimension of the attack was prior scripted at Bryn Mawr to speak for Lennon (helped by Mae Brussell and Gail Burstyn) as though to say now that I am dead here is my will. The Spirit Foundation was created for this ends before his fictive demise by Lennon in the name of Amnesty For All and demanded that I Apologize formally to Yoko Ono after men named Kasper brutally tortured me as a symbol of the Texas Navy in WW2 with the soundtrack, “it will be just like starting over.” Images of Gail Burstyn’s archetype, created by DeMille and King Edward for the Holy War plan of Hitler’s avenging angel of karma, are in such films as Ayn Rand’s “We, the Living,” and Seattle Center. Rand’s fiction specializes in the fake, strategic, high purpose disappearance of prime mover powerful men. In “We, the Living,” the archetype is clapping her hands over her ears while a voice overs, “It will be just like starting over.”
The Bryn Mawr script came from Israeli holocaust survivors. A namesake of Yoko Ono’s partner Diamonda Galas, who was in both immunogenetics and Satanism in the 70’s, a woman called, “Dia,” from Der Mond’s circle of friends, and N.Y. Voodoo Museum, called me on the Japanese anniversary of Pearl Harbor to claim Lennon was dead on Dec. 8, 1980.
The sociology team that killed Donnie Chin don’t even mind being found out, they are taunting America openly, since evidently The White House approves and there is nothing anyone seemingly can do. The fake death of Lennon is a brilliant game allowing the attackers to kill and kill again remorselessly masquerading as avenging the victims. The idea of using Double Fantasy this ways was prior planned, and the Spirit of Kasper all mapped out ingeniously to the tune of the swastika’s double meaning, you can do the same thing with the Japanese sign language word for brother which is the middle finger, all of which harks its tune from analogy to the Harp of Burma, an esoteric film.
The British fascists of Oswald Mosley in other words are mocking the dreams of the expendables. It’s typical of them.
