All of the material necessary to establish the parameters of the atrocity and action concerning which began in Dealey Plaza executed by the outfit who brought down Weimar is now within reach through my website efforts to put discovery of the Texas Schoolbook into context, unless a person is severely restricted in interest and time, which is hardly unusual, many improvements remain to be made, it is a mess that I feel about the way Natsume Soseki ended up feeling for his famous Theory of Literature. Even so I would like to amend the introductory remarks a little to share for clarity what a person who loses interest quickly is missing, particularly if this or that detail already unsettles, disinterests or offends their taste. Or, you may have noticed some of the phenomenon I chart, while you may not entirely have known what they are or how to testify, note, bring to light and give rendition to the affair, since I am careful to compose assessments, you may find in this difficult work things to improve for your own understanding of our immediate society and the forces in play.
The first question is where did this come from? My imagination? No, it doesn’t work that way. I had to be instructed, sometimes by bad experience, to see the light of the organized crime. I came upon writings by the perpetrators, and I live with extreme hazard due to allies of the insane operating in our government. What exactly is at work? Notice today 4/4/2019 is 51 years since the day Martin Luther King was killed, followed a few months later by RFK and then the Beatles White Album which came out Nov. 22, 1968, with its ugly levity about the tragedy in Dallas. From the script found in Pittsburgh from 1974 and the agenda of those who confiscated that script, we have seen that King was indexed to a child starlet’s virginity in the plan of slander worked out by the assassins, and with that script came King Crimson. As hard as it is to believe, there is a lookalike of the scriptwriter Gail Burstyn on one of their satellite records and the script follows the theme of the words on the album, such that King Crimson probably means exactly that, the crimson blood of Dr. King. This is exactly so text that continues with the attorneys from Pentagon Disney holding me in D.C. for Reagan to come out and wave to me or them the night before Hinckley was shot, the attorney, associated with Reagan’s FEMA and Pentagon-Disney attaches, has a brochure that read, “there is no such thing as objective reality only what the jury believes.” So if this was “oh, but it looked so real,” stuff from the master of Hollywood, Lennon’s Double Fantasy may also have meant exactly that, an illusion, two of them, and the role it plays in the AIDS attack jumps right into contest because the Lennons wrote the alibi for Reagan’s attorneys that it was just a hoax. Hollywood loves lookalike stories.
This is not reading between the lines, this is authentically exactly what is in the text.
My evidence proves that a war game was clocked to the AIDS attack in advance. Lennon’s mind was rowdy and absolutist, after displacing the Kennedys he chanted, “All the children sing.” He wanted the loyalties of the bereaved to swing to them like captured Sabine women. His Houdini Whodunit threw the latch on the iron gate of fate.
There are many things worth knowing about how they are operating even now, but to understand you have to follow their methods and learn to read them from such plots as the 1977 film Network in which Trump makes a lookalike cameo debut. This is really going on and it isn’t going away because of a few dissident elements in the union who know they are being watched as potentially necessary cutbacks.
